‘On the Beach’ – In the Sun

Could this be the perfect festival?

The joy for a photographer of being able to focus on a single stage, with pit access and a VIP area to use in between acts felt like pure luxury. Add a superb line up, sunshine with gentle breeze, and sea views – this was pretty much a perfect day for me.

The power of Anna Calvi’s performance left me a little awestruck. Filling the space with her virtuoso guitar expertise, overlaid with powerful operatic vocals and coupled with a dramatic delivery of her complex compositions, this was a memorable musical experience. Add to this her phenomenally talented band and this was a set that stayed with me. The aesthetics of the bright red backdrop and black and red outfits added so much ‘in camera’ to every shot – a gig photographers’ dream!

I am a little ashamed to say that I am completely new to Miles Kane’s music. I am also not one for immersing myself in an artist’s work prior to a gig. Hearing the tracks for the first time live brings something individual to the experience. With his cv including co frontman of the Last Shadow Puppets and frontman of The Rascals, of course this was going to be a dynamic set. And capturing the moves with the stage still bathed in sunshine made it all the more vibrant.

And as dusk began to fall and I started playing furiously with my camera settings, the moment had arrived. The renewed reappearance of The Maccabees to the live arena has been one of my favourite recent music revelations. Something in the ethereal quality of the vocals and harmonies, and multi layered elevation of instrumentation that seem to connect my appreciation with every song. The feeling that every band member is having the time of their life also brings exuberant and uplifting emotion in the images too. The perfect end to a perfect festival day!

Photography Notes

Life is so much easier when the biggest light you could ask for, aka The Sun, is there for you! So with my iso on 100 for most of the day and the pit reasonably close to the action, I could happily swap between my 85mm and 35mm. and even when the light started to fade, the stage lighting was superb. The only issue as is sometimes the case when my mirrorless set ups aren’t quite perfect, is the banding on the projections.

My final, but most important point to make, is a huge thank you to all of those involved in the organisation of On the Beach. Everyone was so helpful and ensured the photographers felt valued. We are mostly there because we just love being part of the process and are passionate about live music, so anything else makes the experience magical.



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